The problem with algorithmic music creation is that compositional models are always going to be limited to baked in technical parameters. If you're working from

The problem with algorithmic music creation is that compositional models are always going to be limited to baked in technical parameters. If you're working from analysis, your analyzer needs to be able to recognize a compositional technique before it returns any useful data about it. Which means it needs to recognize a wide range of techniques, even for pop music. Is this project the result of a high school computer music assignment?