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I don't see much value in using protectionist policy to prop up entertainment that can't compete on its own. Is this content even any good? It's not like conte

I don't see much value in using protectionist policy to prop up entertainment that can't compete on its own. Is this content even any good? It's not like content can't come from Australia that can compete on its own, like AC/DC and The Crocodile Hunter. If anything this policy is probably holding back such greats from happening because it's easier to just meet the lower bar of participating in the Australian content quota.

Haydos585x2 8y ago
Yes, a lot of it is pretty good. There isn't the same industry and money behind the productions that the US has so there isn't always the same quality. I think we get a lot of good productions out of the process. Australian bands are able to be played on the radio and the film sector can support actors that even go on to Hollywood. Australia is not a big country, there isn't a ton of money and specialised skills are not easy to come across. We'll never develop industries if we don't give them a chance. This EU legislation isn't as dystopic as some people in this comment thread seem to think.