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This is a wonderful essay. Kudos to the author. There are several excellent points all working together supporting the thesis. Do authors explicitly write subt

This is a wonderful essay. Kudos to the author. There are several excellent points all working together supporting the thesis. Do authors explicitly write subtext? As the author says, I don't think so. I think authors use writing and editing as a way to organize their thoughts over time such that all the subtext comes out naturally. For most, I think, this is a subconscious thing. That's why you can't teach it. Milton (the real one, anyway) was part of a lineage, a conversation, in which books—indeed, print itself— made a difference in the world This may be the most important point of all. As a society with lots of different interests, literature has allowed the "subconscious of man" to have a multi-generational conversation about what's important. You write a book, you pick up that conversation. The public at large reads the book, they begin participating in it. I'm not saying people sit around and study books to determine deep understanding of universe, but that's what happens. It's just not evident. You spend many years dedicating large portions of your time to climb inside the minds of great people throughout history, eventually you get a gut feel for what it means to be human -- no matter what your circumstances. You begin to see the same dramas and questions arise. You see the mosaic of life itself. Of course, you see all of that other ways too. You can probably go to YouTube right now and watch a video on any kind of deep topic you'd like. But the key point was this shared subconscious journey, created by dedicated time in a book where your concentration and imagination were required to follow along with the story. Doing that, you live inside the heads of great thinkers in ways the click-and-move on crowd never will. That's not for everybody to do. Some folks gravitate towards that kind of thing. Some don't. But it has to be for somebody. And it has to be for enough somebodys that the conversation continues. I'm not sure that's the case anymore.

stewbrew 8y ago
"Do authors explicitly write subtext?" So there is only one subtext to a text? If a subtext was intended by the author and never discovered by any reader, is it still a subtext? If a reader constructs a subtext that contradicts the intentions of the author, is it a subtext or a vision? How exactly do you define subtext? Similar questions could be asked about the concept of "lineage".
- DanielBMarkham 8y ago
  If these questions were rhetorical, I think we're agreeing. I will assume that they were not. Do authors explicitly write subtext? Sure. In the same way that you can purposefully decide what your subconscious will focus on. But it wanders here and there. Over time, authors coalesce around a narrative to the universe that feels pleasing to them. So there is only one subtext to a text? Not at all. Stephen King used to say that there was no subtext to any of his work. Of course there was -- but it was nothing he ever recognized, organized, or struggled with mentally (I assume). If a subtext was intended by the author and never discovered by any reader, is it still a subtext? Sure. It very well can be. Authors that begin organizing their subconscious around a topic may purposefully add subtext. Nobody may ever catch it. If a reader constructs a subtext that contradicts the intentions of the author, is it a subtext or a vision? It is a process of subconscious transferal. It's not a math problem. There's no correct subtext. How do you define subtext? I don't think you can, at least in way people want it defined. I read somewhere once that fiction was actually more true than nonfiction. This, of course, sounded like idiocy to me as a programmer. But then I got it. It's true because we're sharing impressions of life in a way that can't be explicitly said. It's one thing to say "Local man escapes execution". It's another to read "An Occurrence at Owl Creek Bridge" To clarify, if the questions were rhetorical, we're agreeing. That's because those are exactly the questions to ask as you begin to absorb the author's world. Is this the way they feel about the world in general, is it only in this situation? Is what I'm experiencing intentional? Do others experience these same insights? Does the author have a way of looking at things that nobody else does (or can see)? And so on.. There's no one answer to your questions for any one book/reader combination. Making the questions universal just makes it into nonsense.

stewbrew 8y ago

"Do authors explicitly write subtext?" So there is only one subtext to a text? If a subtext was intended by the author and never discovered by any reader, is it still a subtext? If a reader constructs a subtext that contradicts the intentions of the author, is it a subtext or a vision? How exactly do you define subtext? Similar questions could be asked about the concept of "lineage".

DanielBMarkham 8y ago
If these questions were rhetorical, I think we're agreeing. I will assume that they were not. Do authors explicitly write subtext? Sure. In the same way that you can purposefully decide what your subconscious will focus on. But it wanders here and there. Over time, authors coalesce around a narrative to the universe that feels pleasing to them. So there is only one subtext to a text? Not at all. Stephen King used to say that there was no subtext to any of his work. Of course there was -- but it was nothing he ever recognized, organized, or struggled with mentally (I assume). If a subtext was intended by the author and never discovered by any reader, is it still a subtext? Sure. It very well can be. Authors that begin organizing their subconscious around a topic may purposefully add subtext. Nobody may ever catch it. If a reader constructs a subtext that contradicts the intentions of the author, is it a subtext or a vision? It is a process of subconscious transferal. It's not a math problem. There's no correct subtext. How do you define subtext? I don't think you can, at least in way people want it defined. I read somewhere once that fiction was actually more true than nonfiction. This, of course, sounded like idiocy to me as a programmer. But then I got it. It's true because we're sharing impressions of life in a way that can't be explicitly said. It's one thing to say "Local man escapes execution". It's another to read "An Occurrence at Owl Creek Bridge" To clarify, if the questions were rhetorical, we're agreeing. That's because those are exactly the questions to ask as you begin to absorb the author's world. Is this the way they feel about the world in general, is it only in this situation? Is what I'm experiencing intentional? Do others experience these same insights? Does the author have a way of looking at things that nobody else does (or can see)? And so on.. There's no one answer to your questions for any one book/reader combination. Making the questions universal just makes it into nonsense.