It's been awhile since I've had the chance to dig into more advanced music theory but this is such an interesting framing of all of the possibilities present in

It's been awhile since I've had the chance to dig into more advanced music theory but this is such an interesting framing of all of the possibilities present in both named and unnamed scales and the relationship of notes. The idea to lay it out mathematically like this and how you frame your overall thinking about scales is great. Bach would appreciate this work. Also reminds me a bit of how folks like Jacob Collier think about harmonies and new ways to arrive at different notes. The more you can internalize these kinds of mathematics, the more you can improvise in new and different ways. Well done! Really enjoyed this.