4 ms·
I used to embrace exposure compensation a lot more on older DSLRs, but the exposure latitude of modern camera RAW output is now so great you can easily fix an i
by giobox 8y ago
I used to embrace exposure compensation a lot more on older DSLRs, but the exposure latitude of modern camera RAW output is now so great you can easily fix an image exposure +/- one stop with little or no real perceivable loss of quality. Shoot RAW, worry about exposure nudges later. I'd say this is true pretty much of anything with a micro 4/3s or larger sensor since about 2013.
Even supposedly unrecoverable washed out highlights are surprisingly recoverable on newer cameras. For sure there are exceptions (bright snow scenes for example), but it's rare I will touch the exposure comp dial today.
- colanderman 8y agoYes, if you're shooting RAW, you're past the point where the above advice is applicable. But there's a lot of people who don't (beginners, casual photographers who want something that looks better than Facebook selfies).
- giobox 8y agoPerhaps, but to use the exposure comp dial effectively you need to know what an exposure "stop" is, which is a pretty complex concept if you are just a casual snapper, especially as it is inter-related to ISO/aperture/shutterspeed with changes in any one affecting the other two. This is probably why very few compact cameras even have a dedicated exposure comp dial, and virtually no OEM/standard cellphone camera apps expose this setting. If we are talking casual snappers nowadays we more often than not are referring to cellphone photographers, as the continuing collapse of the compact camera market illustrates. Exposure metering is pretty great nowadays anyway (even on modern cellphones like the Pixel/iPhone), I love how you can effectively spot meter on the iPhone just by touching anywhere on the viewfinder.
- colanderman 8y agoWhy would you need to know anything about stops? Just turn the dial up or down until the preview matches your experience. My phone's exposure dial doesn't even have markings. I agree that tap-for-spot-expose is nice, but insufficient if your subject should be bright or dark. E.g. taking a picture of a high- or low-key mural.