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Oh come on, Vonnegut is one of the most obvious examples of well respected American writers and you could hardly call his work boring. One of the 2016 Pulitzer
by sincerely 8y ago
Oh come on, Vonnegut is one of the most obvious examples of well respected American writers and you could hardly call his work boring. One of the 2016 Pulitzer prize winners (The Sympathizer - not cherry picking, just a recent book that comes to mind) was an extremely gripping/exciting story about escaping the end of the Vietnam war to America but it still managed to receive nearly unanimous praise.
On the other hand, one could argue that if your works require elaborate setpieces and a fantastical setting then you're drawing attention away from an inability to write captivating stories. A plot summary of a Jonathan Franzen novel for example sounds incredibly boring but his writing is nearly impossible to tear yourself away from and will have your mind going for days or even weeks after you finish. It's perfectly fine to enjoy sci-fi/fantasy etc but there's no need to develop a victim complex about its position in the literary world.
- lmm 8y agoVonnegut is the exception that proves the rule (perhaps with Atwood). I found Franzen terrible FWIW, but there is certainly excellent literary writing out there. Prosecraft is a skill, just as plotting and settings are - neither is superior to the other. And there is a real cultural disrespect for the things that SF does well. I wouldn't mind that if good SF was still allowed to continue in its own place, but lately even that seems under threat (e.g. the Hugo awards are lately dominated by literary prose at the expense of the classic SF virtues).