I should have been more clear: I was mostly talking about the vast majority of newspaper, magazine, online, and event photography that transitioned to digital y

I should have been more clear: I was mostly talking about the vast majority of newspaper, magazine, online, and event photography that transitioned to digital years ago, largely for cost and workflow reasons. The people doing art professionally certainly count as pros, but (wild hand-waving), most of them probably aren't subject to the kind of turnaround requirements that drove the rest of the 35mm world to digital. I suppose I'm also excluding the medium and large-format studio folks who, besides art, shoot primarily for ... advertising? I'm totally ignorant of that side of the business.