I don't expect film to die entirely; it has simply lost its economy of scale. I'm seeing lots of photographers who have cut their teeth on digital dabbling with

I don't expect film to die entirely; it has simply lost its economy of scale. I'm seeing lots of photographers who have cut their teeth on digital dabbling with it. There is, as you clearly expound, a romance to the darkroom. It won't go away... modern art supply stores are ample evidence of the preservation of older techniques. Lens-wise, there will always be a market for lenses that inspire. The emergence of short-flange-distance mirrorless cameras has driven huge interest in older glass. If you haven't tried it yet, try adapting your favorite lenses to a modern image sensor. Electromagnetic waves care not how old the optics are. I'm sad, too, to see the EOS-1 series end. The design of the EOS-1 RS inspired me, as a teenager, to build my first optical system, something for which I'll be forever grateful. I wouldn't trade my modern camera for the finest 35-mm film camera, though. The rate at which I can learn with a digital camera is so much greater. Yesterday evening, I probably shot a hundred frames (each while watching for the camera/tripod vibration to settle at 10x-magnified live view), sorted them, processed the best, and printed one, all in a few hours. The only costs were 0.1% of the camera's shutter life, hard-disk space, electricity, and two pieces of paper.