3 ms·
They don't stay consistently sharp at all apertures. They introduce chromatic abberation at different T stops. The out-of-focus area is less pleasant. I coul
by l33tbro 8y ago
They don't stay consistently sharp at all apertures. They introduce chromatic abberation at different T stops. The out-of-focus area is less pleasant. I could go on ...
Master primes aren't right for every job, but they're the closest we have to an optically flawless lens in filmmaking.
- sjwright 8y agoPlease go on. This alternate universe you've constructed in your brain where you're a lens expert is sincerely fascinating.
- l33tbro 8y agoYou'd be far less cringey if you could back up your wild hand-waving with actual points or arguments. I actually own lenses by both of these manufacturers. I have Sigma's GL optics cine glass. I have some vintage Tokina glass that Angenieux made, which is considered their best lens (though it's not modern). They're fine lenses, but only a goofball would think about comparing them to a $20k lens.