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Minorities dominate popular culture, but armchair directors complain that there is not enough representation, exactly the cherry picking I described. But, ok,
by allthenews 9y ago
Minorities dominate popular culture, but armchair directors complain that there is not enough representation, exactly the cherry picking I described.
But, ok, let's go there. Where is my equal representation, as, say, a first generation Austrian Jewish immigrant with an anxiety disorder? Oh, and, I also demand that you portray my story in a positive light, as a powerful superhero, because apparently in this country positive role models can only come in the form of contrived, violent crime fighters.
Oh, wait, I'm sorry, did you presume that, because I am white, my particular socioeconomic status and history have been satisfactorily represented? Should I be screaming about how unfair Hollywood has been to me and my heritage for simply not being inclusive of my particular successes and problems? Where does one draw the line?
Perhaps it is up to us to learn to find and identify parallels where they exist, and not demand that a superficially homogeneous majority accommodate to each minority. Not to mention the problem with presumed outrage not on other minorities' behalfs.
Don't you think it a bit dangerous to teach children that they can only find inspiration and parallels in cinema if the protagonist looks and speaks like they do? Shouldn't we be teaching the opposite, as I could swear I learned growing up in the 90s and 00s?
- ch4s3 9y ago> Where is my equal representation No one said anything about "equal representation". I think people have just gotten tired of the dull pastiche of chisel jawed Ryan Seacrest types that dominated American film and television for so long. There's some value in seeing stories that feature people that look like you or have similar backgrounds, but more importantly there's a lot of value in hearing stories about people who aren't like you. I think I personally get a lot out of art by and about people who are very unlike myself. If you're looking for art and film that speaks to your background and identity, it exists. But you're right there could be better treatments of people like you. It's not like theres some artificial limit on the amount of art that can be produced, so I think there's room for everyone. >Perhaps it is up to us to learn to find and identify parallels where they exist, and not demand that a superficially homogeneous majority accommodate to each minority. Not to mention the problem with presumed outrage not on other minorities' behalfs. In the US we have a really incredible capacity to bring a lot of different types of people to the table, and let them define for themselves what their Americanness means. It seem to me that pusing for our art to reflect this positive aspect of our culture is a good thing. >Don't you think it a bit dangerous to teach children that they can only find inspiration and parallels in cinema if the protagonist looks and speaks like they do? I don't think anyone is saying children should only find inspiration in representations that look like them, that would be silly. However it is easier to imagine yourself in the place of someone who is at least superficially similar to yourself. So if that's what it take for some kid to realize they can do great things, then I'm all for it. I don't think broad representation takes anything away from anyone.
- stillsut 9y ago> Where is my equal representation, as, say, a first generation Austrian Jewish immigrant with an anxiety disorder? I think that's Peter Parker a.k.a Spiderman, the nebbish boy living in a multi-generational Brooklyn walk-up, with old-world grandparents. If we're going to keep making super hero movies (which I couldn't care less about) it seems like we have to keep playing and defying the genres expectations: Spiderman, one of the first, transforms the intellectual into a man of action. Two years ago, Ryan Reynolds transformed the mask crime fighter (Deadpool) from an all-too-serious stoic into a sloppy knucklehead. And now Black Panther transforms the soulful and dirt poor African American into a royal aristocrat and scientist. I largely agree with your final paragraph. But I think this cultural issue is going to play out like a pendulum where Hollywood is going to make ten more Black Panthers until everyone is completely sick of it, the eleventh movie tanks, and then nobody can make produce even a great Black Panther-esque movie for several years following it.