> Good-vs-evil narratives are not some progression, rather the inverse. This Good-vs-evil narrative also tends to infantilize whole mediums—say Film or Comics,

> Good-vs-evil narratives are not some progression, rather the inverse. This Good-vs-evil narrative also tends to infantilize whole mediums—say Film or Comics, but the same is true with Journalism. There is no way this is a progression when nothing could be further from real life experience. A good story should respect the audience's intelligence more. Don't assume your audience is stupid, but always paint a more subtle picture with facts. Let them decide afterward, with more than one point of view, what is right and what is wrong. Or perhaps there is no need to root for one side but rather understand why things happened and encourage some form of empathy.