3 ms·
The issue with Lana Del Ray's "Get Free", Radiohead's "Creep", and Hollies "Air That I Breathe" is that we (and/or the courts) don't put the chord progression o
by jasode 9y ago
The issue with Lana Del Ray's "Get Free", Radiohead's "Creep", and Hollies "Air That I Breathe" is that we (and/or the courts) don't put the chord progression of "I–III–IV–iv" in the same everybody-and-their-dog-has-been-doing-it bucket as "I-IV-V" or the "I–V–vi–IV"[1] (axis of Awesome parodied in the youtube video[2]).
If musicologists for Lana Del Ray can find an out-of-copyright work such as a very old classical piece or folk song that uses that progression, the potential lawsuit would have no merit. Until then, that chord progression's very identifiable "chromatic movement and eerie tension" is easy to notice so it will always attract new lawsuits.
[1] https://en.wikipedia.org/wiki/I%E2%80%93V%E2%80%93vi%E2%80%93IV_progression https://en.wikipedia.org/wiki/I%E2%80%93V%E2%80%93vi%E2%80%9...
[2] https://www.youtube.com/watch?v=5pidokakU4I https://www.youtube.com/watch?v=5pidokakU4I
- Joeboy 9y agoI see your point (two unusual things being similar looks more suspicious than two common things being similar) but I think two "I–V–vi–IV" songs that were as melodically similar as Creep and Get Free would still be pretty suspicious. Edit: Btw I'm not sure I-III-IV-iv is that uncommon. It's in eg. David Bowie's Space Oddity and Pink Floyd's Nobody Home. It sounds to me like an old jazz / ragtime type progression although I'm struggling to come up with examples.