Ableton Live in conjunction with the Push is a fantastic, very tactile, very musical solution to this. The Push is a very well-designed hardware instrument tha

Ableton Live in conjunction with the Push is a fantastic, very tactile, very musical solution to this. The Push is a very well-designed hardware instrument that, because of its tight integration with Ableton, has much of the flexibility of software. It's a really interesting approach and very productive from a music and creativity standpoint. This YouTube video gives a good sense of it: https://www.youtube.com/watch?v=0CdMvkBOUgs https://www.youtube.com/watch?v=0CdMvkBOUgs I believe quite strongly that for most people, utilizing hardware of some kind (pad controllers, keyboards, etc.) is essential for making music. Music is generally made by playing instruments. It is the small errors, the groove, the emphasis, the spirit/heart/soul of playing an instrument, that makes music feel alive and interesting and vital. If you're just clicking around with a mouse, you're programming it, and programmed music sounds programmed. Overly precise, inhuman, etc. In Glenn Gould's debut on US television, conductor Leonard Bernstein talks about - and then demonstrates - the difference between rote, mechanical playing of a score (i.e. "programmed music") vs. a performer's interpretation of it (i.e. the heart & soul that I'm talking about). The discussion starts around here: https://www.youtube.com/watch?v=9Nx09pigZRI&feature=youtu.be&t=12m25s https://www.youtube.com/watch?v=9Nx09pigZRI&feature=youtu.be...