5 ms·
The classic, the best thing to read about rejection. It's by Teresa Nielsen Hayden, an editor at Tor (also a moderator at Boing Boing now). The context is scien
by msg 18y ago
The classic, the best thing to read about rejection. It's by Teresa Nielsen Hayden, an editor at Tor (also a moderator at Boing Boing now). The context is science fiction publishing, but the feelings are all the same. And it's a good laugh.
http://nielsenhayden.com/makinglight/archives/004641.html http://nielsenhayden.com/makinglight/archives/004641.html
For instance, some of the "didn't peruse my website" stuff starts to sound familiar:
"But let’s assume the author’s right, and the reader didn’t get all the way through the submitted material. Is that a fair evaluation? When we’re publishing books that readers are going to glance at, briefly browse, then either buy or put back on the shelf, you bet it’s a fair evaluation. Again, when you think about this with your reader-mind instead of your writer-mind, it all comes much clearer."
- wallflower 18y ago"SOME THOUGHTS ON WRITING" (Elizabeth Gilbert is the author of the #1 NYTimes Bestseller Memoir, Eat Pray Love) [http://www.elizabethgilbert.com/writing.htm http://www.elizabethgilbert.com/writing.htm] "Your job is only to write your heart out, and let destiny take care of the rest." "I have a friend who’s an Italian filmmaker of great artistic sensibility. After years of struggling to get his films made, he sent an anguished letter to his hero, the brilliant (and perhaps half-insane) German filmmaker Werner Herzog. My friend complained about how difficult it is these days to be an independent filmmaker, how hard it is to find government arts grants, how the audiences have all been ruined by Hollywood and how the world has lost its taste…etc, etc. Herzog wrote back a personal letter to my friend that essentially ran along these lines: “Quit your complaining. It’s not the world’s fault that you wanted to be an artist. It’s not the world’s job to enjoy the films you make, and it’s certainly not the world’s obligation to pay for your dreams. Nobody wants to hear it. Steal a camera if you have to, but stop whining and get back to work.” I repeat those words back to myself whenever I start to feel resentful, entitled, competitive or unappreciated with regard to my writing: “It’s not the world’s fault that you want to be an artist…now get back to work.” Always, at the end of the day, the important thing is only and always that: Get back to work. This is a path for the courageous and the faithful. You must find another reason to work, other than the desire for success or recognition. It must come from another place."