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That's much trickier than you think, because people's reactions are highly contextual. Imagine if someone went on the dance floor who you wouldn't expect to hav
by alsomike 16y ago
That's much trickier than you think, because people's reactions are highly contextual. Imagine if someone went on the dance floor who you wouldn't expect to have any dance moves at all, but they are pretty good. They would get extremely positive reactions, so an alien posing as a human watching this would imitate this, but suddenly get a negative reaction because it would be seen as mocking. It's also possible to dance so well that it generates negative reactions like jealousy. Or you can have geeky Napoleon Dynamite dancing - cheesy, inappropriate and flawed, but somehow able to succeed despite itself. This is because quality of dancing isn't wholly intrinsic to the dance itself, it depends on other social factors, like the social identity of the dancer, the self-perception of the audience, the social meaning of the music and the type of dance being performed. For an alien, this would be the hard problem of dancing. What it boils down to is that when knowledge is highly contextual, it's very hard to learn it as a neutral external observer, you have to become a participant - in a way, before you can learn to dance, first you have to learn to be the audience for dance, to become embedded in the social meanings. This might also be the significance of being a good listener before you can become a good conversationalist.
- xenophanes 16y ago> That's much trickier than you think I think it's much tricker than you said. Those are just a variety of small details, and there are many more in the same general category. But that doesn't stop it from working. It's very noisy data whatever you do. The difficulty may approach that of learning English while you're there. That could take a decade, who knows. Children learn English faster than that, but we do lots of things to help them, but OTOH the alien is super smart and has computers to analyze patterns in the language. (Of course if the alien does pick up English, these context problems become pretty small.) I took the original question to be about the fact that what constitutes a good dance move is arbitrary. That's a fundamental problem. How do you figure out something that's just an arbitrary convention? Well, the solution is to look at the people who decide it. How people react to stuff, like what they say, is not arbitrary. There's a method to it that you can figure out, unlike dancing which arguably doesn't have a method (I'm not taking sides on that, I just interpreted the problem to be to assume dancing hasn't got a logical method to it).