Without even reading the article I already know that it's extremely hard that hearing the difference between 16/44.1 and 24/192 indeed is really hard if not imp

Without even reading the article I already know that it's extremely hard that hearing the difference between 16/44.1 and 24/192 indeed is really hard if not impossible. I only use higher bitrates when creating music so when I mix or record I don't need to make the levels go almost into red to get a hot enough signal, I can do all kinds of changes like slowing down or up, distortion, EQ, compression without losing any perceived detail in the end. If I record on 16 / 44.1 then start manipulating the sound I start losing detail immediately. But in the end more than 20 / 88.1 won't do much for you. 16 / 44.1 might be a bit less than ideal for music with a lot of dynamics but it's absolutely fine for most purposes.