4 ms·
You can play a ton of songs with like 5-6 open chords. Find a song you don't hate that just uses G, C, and D majors, and drill the hell out of it until it's eas
by ashark 9y ago
You can play a ton of songs with like 5-6 open chords. Find a song you don't hate that just uses G, C, and D majors, and drill the hell out of it until it's easy to transition between those. Way more fun to practice with a real song. You may pick up A-minor or something on the bridge of that song, which is nice. Pick up open A and E majors and E minor on top of that base and you can play rhythm on like 50+% of all guitar-heavy popular music ever written without going any farther. Then start working on barre and (relatedly) power chords and you'll get that number up to 90%. Wait to do that because barre chords require different hand muscles than open chords, so you'll hit trouble again when you start on them and no sense in tackling all that difficulty at the same time.
Take heart: once you get over the initial how-the-hell-can-my-fingers-even-do-that hump, learning enough guitar that it's pleasant to listen to is quick. You can hit that mark with casual practice inside 3 months, easily. By contrast, I spent years playing Alto Sax and got way (way) better at it than I ever was at guitar, but that was never pleasant to listen to solo—most instruments you've got to be really really good at them before they're tolerable solo, but guitar's about as far the other direction as you can get.
- haskal 9y agoMy experience with barre chords is that I thought I could never get them right, but I kept trying them with very tiny variations, until one day I just got them. Never thought that I could play them correctly till the day before I got them right.
- vkou 9y agoMy realization with barre chords came from asking my instructor about how to play a barre A major chord. Seeing his finger bent slightly upwards at the last knuckle was the missing ingredient.
- david-cako 9y agoI started learning a few years ago, and instantly gravitated towards barre chords. The "consistent policy" of barre chords made a lot of sense to me, and still does. It was mostly due to the rhythm technique of most of the guitarists I like (John Frusciante, Omar Rodriguez Lopez, Jimi Hendrix, etc) being very embellished. Much easier to do when the shapes are always the same.