4 ms·
First of all, are Murray's claims true? That's the important question. That article gets some things right, but it seems to imply that Murray is racist even if
by ggreer 9y ago
First of all, are Murray's claims true? That's the important question. That article gets some things right, but it seems to imply that Murray is racist even if his beliefs are true.
Second, if you're going to use that article's definition of racism (the belief that there are statistical differences in IQ between races) then most researchers on cognition are racist. If you survey experts anonymously, the majority will say that there is an IQ gap and that genes are a significant contributor.[1]
Critics keep smuggling in the assumption that intelligence is proportional to moral worth. Murray explicitly denies this, and claims that all humans should be given equal moral worth (and equal moral agency).
1. http://emilkirkegaard.dk/en/wp-content/uploads/2013-survey-of-expert-opinion-on-intelligence.pdf http://emilkirkegaard.dk/en/wp-content/uploads/2013-survey-o...
- zimpenfish 9y agoYou seem to have missed the thrust of the article which isn't that The Bell Curve proves Murray to be a racist (although it certainly has him winking strongly in that direction) but that his other book, "Human Accomplishment" is flagrantly and defiantly racist. > A far more illuminating piece of evidence about the Murray racial worldview is found in his little-read 2003 book Human Accomplishment, the text that substantiates point 2 on the above List Of Racist Charles Murray Beliefs: Black cultural achievements are almost negligible. > And what do you know, shockingly enough, out of hundreds of significant figures in Western music, there are almost no black people on the list. (Duke Ellington makes it.) Now, remember, this is a list of the objectively highest human accomplishments in music, and it doesn’t cut off until 1950. > Do I have to explain why Murray’s framework is racist? Because Charles Murray thinks classical English composers were rooted in human experience and had intellectual depth (which we know, because they showed up more in the encyclopedias he picked), while black American composers (for that is what they are) were not. etc.etc.