To some extent this analogy works for me, but I'd argue 24FPS can still be a legitimate artistic decision - it can lend a film a more 'dream' like quality, for

To some extent this analogy works for me, but I'd argue 24FPS can still be a legitimate artistic decision - it can lend a film a more 'dream' like quality, for want of a better description, that the hyper-realism of high frame rate recording can lose. I think this was a large part of the reason so many people didn't like the "feel" of the Hobbit when it was screened in some cinemas at 48FPS. Rather than just assume that more is better, hopefully the future will see frame rate as just one more artistic choice in the same way focal length or aperture is used today to convey different feelings or effects. The warm sound of vinyl on the other hand is just poor sound quality masquerading as something desirable.