She has made the remark repeatedly, over the years, in different contexts. It's not a throwaway. As for baseless hyperbole, I object to Atwood on this issue be

She has made the remark repeatedly, over the years, in different contexts. It's not a throwaway. As for baseless hyperbole, I object to Atwood on this issue because she is 'borrowing' ideas from a genre that she is then disassociating herself from. Delany and Walton could expect their readers to have read Melville and Greek myth, but Atwood is delivering SF a nice little kicking while borrowing the ideas from the genre and transporting them to a more respectable context. Apparently The Man in the High Castle is still SF, probably because Dick didn't strain at the oars to get shelved out of SF. Probably because he was a repeat offender with talking squids in outer space and worse - telepathic slime molds from Ganymede, IIRC. Partly it's also a matter of taste. For someone so 'literary', I'd say that Atwood loves herself some serious schlock. It felt like every third character in the Oryx and Crake trilogy was Torn From the Headlines of whatever outrage articles that Atwood had read in the previous year... I keep dutifully reading each book - there's always something interesting in them - but I've got to say I feel both dirtier (Oryx and Crake trilogy) and stupider (the trilogy + Heart Goes Last) after each one.