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I think one of the reasons why "Jodorowsky's Dune" is such an amazing documentary is that it describes an impossibly ambitious film, something so awesome that y

I think one of the reasons why "Jodorowsky's Dune" is such an amazing documentary is that it describes an impossibly ambitious film, something so awesome that you're drawn into believing in it with the director himself. If it really _were_ made however, yeah, it could _only_ have be a disappointment in comparison to what the documentary about it suggests. Jodorowsky's version of Dune is perhaps the greatest film that was never made and, ironically, it is better this way.

atombender 10y ago
We'll never know. Another lost work I would kill to see is Tarkovsky's original version of Stalker. He spent an entire summer filming the Strugatskys' original screenplay, based on their masterpiece Roadside Picnic. But he was using a type of American Kodak film stock that was found to be out of date; he tried several times to confirm the problem with the Soviet processing lab, but they were unfamiliar with the stock, and only by the time he was done shooting did they realize that the footage was in fact unusable. At this point Tarkovsky had used too much money, and had no choice but to go back to the Soviet film board to negotiate a new financing deal. At the same time, he was deeply unhappy with what he'd filmed so far (he had also fired his cinematographer), and was desperate to start over fresh. Helped by the Strugatskys, he developed a new, miminalistic framework for the film that eliminated most of the scifi trappings of the novel, and he reshot the film almost without a script. (The whole story of Stalker is much more complicated, of course. I recommend the book "The Films of Andrei Tarkovsky: A Visual Fugue", by Johnson and Petrie, for more information.) I don't know what happened to the damaged footage, but I guess it must have been destroyed. We'll never know what it was like. I don't think anyone except a handful of people have seen the footage, and they are all dead.
- crispyambulance 10y ago
  Stalker was a unforgettable mesmerizing, almost hypnotic film. I didn't know there had been an earlier attempt! IMHO that Tarkovsky was able to make ANY film at all in the hostile bureaucratic atmosphere in which he worked gives a ray of hope to artists everywhere.

atombender 10y ago

We'll never know. Another lost work I would kill to see is Tarkovsky's original version of Stalker. He spent an entire summer filming the Strugatskys' original screenplay, based on their masterpiece Roadside Picnic. But he was using a type of American Kodak film stock that was found to be out of date; he tried several times to confirm the problem with the Soviet processing lab, but they were unfamiliar with the stock, and only by the time he was done shooting did they realize that the footage was in fact unusable. At this point Tarkovsky had used too much money, and had no choice but to go back to the Soviet film board to negotiate a new financing deal. At the same time, he was deeply unhappy with what he'd filmed so far (he had also fired his cinematographer), and was desperate to start over fresh. Helped by the Strugatskys, he developed a new, miminalistic framework for the film that eliminated most of the scifi trappings of the novel, and he reshot the film almost without a script. (The whole story of Stalker is much more complicated, of course. I recommend the book "The Films of Andrei Tarkovsky: A Visual Fugue", by Johnson and Petrie, for more information.) I don't know what happened to the damaged footage, but I guess it must have been destroyed. We'll never know what it was like. I don't think anyone except a handful of people have seen the footage, and they are all dead.

crispyambulance 10y ago
Stalker was a unforgettable mesmerizing, almost hypnotic film. I didn't know there had been an earlier attempt! IMHO that Tarkovsky was able to make ANY film at all in the hostile bureaucratic atmosphere in which he worked gives a ray of hope to artists everywhere.