3 ms·

What do you presume Tarantino's motive would be for such a thing?

• mirimir 10y ago
  He says: > In 2007, Tarantino discussed an idea for a type of Spaghetti Western set in the United States' pre-Civil War Deep South. He called this type of film "a southern", stating that he wanted "to do movies that deal with America's horrible past with slavery and stuff but do them like spaghetti westerns, not like big issue movies. I want to do them like they're genre films, but they deal with everything that America has never dealt with because it's ashamed of it, and other countries don't really deal with because they don't feel they have the right to."[3] Tarantino later explained the genesis of the idea: "I was writing a book about Sergio Corbucci when I came up with a way to tell the story. ... I was writing about how his movies have this evil Wild West, a horrible Wild West. It was surreal, it dealt a lot with fascism. So I'm writing this whole piece on this, and I'm thinking: 'I don't really know if Sergio was thinking [this] while he was doing this. But I know I'm thinking it now. And I can do it!' "[4] https://en.wikipedia.org/wiki/Django_Unchained https://en.wikipedia.org/wiki/Django_Unchained
  • kakarot 10y ago
    So you're talking about those exaggerated comedic situations, then? The ones that were obviously unrealistic and meant for cinematic purposes? An educated mind does not interpret Django as a trustworthy source for information about slavery in early America and knows it shouldn't be cited in any essay on the subject except to make a comparison to actual events. If people are taking Django into account in their view of American slavery then that is an issue of education and not propaganda on behalf of Tarantino.