2 ms·
The "disruption" of the music industry by the Internet, Napster, etc.. ultimately led to users being given greater control over the music they listen to. You c
by elihu 10y ago
The "disruption" of the music industry by the Internet, Napster, etc.. ultimately led to users being given greater control over the music they listen to. You can now legally purchase DRM-free single tracks from the various online stores.
Maybe a similar thing needs to happen with movies? I think the fansub community, the Tolkien edit of The Hobbit, and MST3K and Riftrax are examples of what "greater control" could look like.
Suppose there were a standard video format that accepted a separate stream of commands to skip or re-order scenes, insert audio or subtitles or splice in video from external sources and remove or alter vocal/sound effects/music from the original content.
Now, users could create alternative versions of their favorite movies and share them with each other. Suppose a movie with an alternative sound track requires songs that you already own? No problem, it just uses them. Suppose it requires songs that you don't already own? Maybe it pops up a window "would you like to buy these tracks from Amazon/iTunes/whatever for 99 cents each?" and then when you buy them it adds them to your music library. If you don't want to buy all the tracks, maybe there's just no music in that part of the movie.
I could see this as a really great way for movies to increase music sales, and for people to get excited about and re-watch old movies and have a way to participate in the creative process. It also can be done in a way that's respectful of copyright law, by giving users a convenient way to purchase all of the copyrighted content they need to watch the movie in its edited form. I suspect a lot of traditional Hollywood types will hate the idea of people watching movies in any way other than how the director originally intended, but I think they should just get over it.
- forgottenpass 10y agoMaybe a similar thing needs to happen with movies? It won't. Consumers got the level of control over their music library that they did as an accident of timing. The quality of the popular home format (CD) was very good, home computers came with the hardware to read them, the power of home computing and network speeds were just good enough for audio piracy. So music piracy became ubiquitous before the pieces were in place for DRM to stop it. Video piracy only hit big at the tail end of that window, so the market doesn't expect as much flexibility when buying video as with music. Every year we're stuck with more and more DRM technology coming standard in the products we buy and software we use.