4 ms·
You're right about the ritual, and the inherent limits caused by physical things (1s and 0s notwithstanding). Digging a record out and dealing with a sound sys
by huehehue 10y ago
You're right about the ritual, and the inherent limits caused by physical things (1s and 0s notwithstanding).
Digging a record out and dealing with a sound system is more work than opening up Spotify. You're also not already on your computer, surrounded by distractions. So, being invested in the process and having to make deliberate steps to engage in something else encourages people to focus more on the music and the experience.
Also, and this sentiment is probably a meme or something, but I feel that being able to take unlimited pictures has hurt casual photography. The extreme example here is people living through their phones, taking pictures of every bite of food, etc. A disposable camera really made me think about each picture I took (limited # photos, paying for the camera, have to go get them developed).
- lb1lf 10y agoThis. When putting on a record, I sit down to LISTEN. I am not putting it on to have some music in the background while I do other stuff. I listen. Now, obviously I could listen just as well using Spotify, and on occasion I do - but to me, the whole ritual of bringing out an album, putting it on the turntable, brushing off the lint (if any), putting down the needle... It all sets the stage. It gets me in the state of mind, if you like, where I can sit down and enjoy music at the fullest. It is not because it sounds better (It doesn't, unless someone f---ed up the mastering). It is not because of any inherent superiority of analog systems (they aren't). It is because my stupid mind plays tricks on me and will not let me relax properly unless I put some effort into listening to the music. Also agree fully on the 'advantage' of having limited exposures available - again, this is a problem of lacking self discipline, but I find when reviewing my photos that I have a significantly higher keeper ratio when shooting film; as I only get 38 (35mm) or eight (6x9) exposures on a roll of film, I tend to think a little bit more before pressing the shutter release - taking the couple of extra seconds to fine-tune the composition, make sure I haven't got too much clutter in the frame, etc, etc. Again - if I were better at showing my mind who calls the shots, digital would be just as great. Problem is just I tend to go all Texan (no offense) with a digital camera - lots of shooting, sort out the good ones afterwards. Spend more time in front of a computer.
- tjr 10y agoI sometimes take pictures of people speaking at events, and wow, I'm really glad to not be doing this on film. I might take 50 pictures to end up with one or two decent shots, that don't have the speaker's face in some grotesque contortion that I absolutely do not notice at all while just watching with my eyes...
- lb1lf 10y agoAbsolutely. Horses for courses, etc. (I mostly shoot things which don't act like that; architecture and landscapes, mostly.) I bet a lot of sports photographers, too, were quite relieved when they could offload their F5s for something digital. (The F5 being a beast, by the way - if memory serves, you could get 8 or even 9 fps out of it. A friggin' FILM camera. As if that wasn't enough, Nikon would be happy to sell you multiple F5s (each with its dedicated lens, of course) and an expensive thingamajig which let them shoot synchronously, but with an offset so that you'd get [n] times 8fps - though at a staggering cost.) I love my F5. Closest I'll ever come to wielding a gatling gun.
- deleted 10y ago[deleted]