3 ms·
> In the case of Munch's The Scream, and Starry Night, and every Monet, the subject matter is as important as the image. Not to mention the transformations the
by skywhopper 10y ago
> In the case of Munch's The Scream, and Starry Night, and every Monet, the subject matter is as important as the image.
Not to mention the transformations the artists made that the software cannot: turning pinpoint stars in the sky into huge pinwheels and fireballs; turning a human face and hands into an inhuman creature.
- webmaven 10y agoYeah, to achieve that the software will have to understand the semantics of the image (at least crudely) which is already possible, and how the depiction is a distorted representation of real objects (harder, but it is already clear that this is possible). Capturing the semantic meaning of the distortion would another increase in complexity, but perhaps not necessary, as the software doesn't have to understand why we selected "The Scream" as the style we want (although it would certainly be cool to be able to specify "Use the style of "The Scream", but expressing melancholy instead of horror.").