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My theory about audiophiles is that a lot of them grew up in the 1970s-1990s where there really was a huge difference between "high end" and consumer grade audi

My theory about audiophiles is that a lot of them grew up in the 1970s-1990s where there really was a huge difference between "high end" and consumer grade audio. That gap has narrowed considerably. I think there's also a lot more people these days out there actually explaining the engineering and science in good audio (in the old days technical details were considerably harder to look up), this makes it hard to push "marketing oriented" product (eg those infamous audiophile cables). My impression currently is that the audiophile hobby kind of was dying off. I do think there's a few areas where analog still is a bit better technically (mostly from the musician perspective, things such as distortion and resonant filters), but digital is both often better and just so much more convenient for 90% of things. Those that embrace analog as a religion are rather annoying. Now, I do remember in the 1980s there was a huge push of digital everything -- digital playback, "digitally remastered", etc. A fair bit of that at the time had major issues -- eg not very nice sounding DA stages, aliasing problems, etc. Perhaps this is where some of this attitude comes from.

devonkim 10y ago
Modern "audiophile" gear is much better today than in the 90s, especially for the same price points, but my observation is that there's a divergence between hipsters that prefer gear older than themselves looking for something unique and those that seek technical specs religiously and know where to optimize for best technical sound. I just want the best sound I can get within a reasonable budget even if I could tell the difference if I spent $1000+ more on a better amp. Most of the anti-digital people I know fall into two overlapping camps - technophobes that don't know how basic DACs work (believing that digital audio means output of literal square and stepper waves into the air) or those that simply prefer older recordings from a point of nostalgia or artistic taste. Showing conclusively that some of their favorite records were mastered digitally before being compressed and filtered for LP is similar to watching climate change deniers try to reason via strawman and red herring arguments.

devonkim 10y ago

Modern "audiophile" gear is much better today than in the 90s, especially for the same price points, but my observation is that there's a divergence between hipsters that prefer gear older than themselves looking for something unique and those that seek technical specs religiously and know where to optimize for best technical sound. I just want the best sound I can get within a reasonable budget even if I could tell the difference if I spent $1000+ more on a better amp. Most of the anti-digital people I know fall into two overlapping camps - technophobes that don't know how basic DACs work (believing that digital audio means output of literal square and stepper waves into the air) or those that simply prefer older recordings from a point of nostalgia or artistic taste. Showing conclusively that some of their favorite records were mastered digitally before being compressed and filtered for LP is similar to watching climate change deniers try to reason via strawman and red herring arguments.