4 ms·
Isn't this common in publishing and in music? Every big hit seems to have been turned down several times. A lot of publishing houses aren't the arbiters of tast
by drzaiusapelord 10y ago
Isn't this common in publishing and in music? Every big hit seems to have been turned down several times. A lot of publishing houses aren't the arbiters of taste but instead have goals and metrics for certain types of work and only shop for them. You may have a great historical novel on your hands, but if the agents are only looking at sci-fi and YA stuff, then you might get turned down until you find a publisher willing to take a chance on something the market isn't necessarily asking for.
Also guitar groups were on their way for a while. The charts in the early 1960s were pop bands like the Beach Boys, Stevie Wonder, Andy Williams, The Sensations, Ray Charles, etc. Obviously, rock became a powerful force by the mid 1960s but that was difficult to predict. I don't think anyone saw the British Invasion, Dylan, psychedelic rock, and the hippie counter-culture coming.
- apathy 10y agoRight, but when your job is to pick winners, this is a problem. Netflix has been doing a spectacular job of this lately, essentially turning themselves into a must-have "channel". HBO, too, by going a la carte. Contrast with Blockbuster's decision not to buy Netflix. It may have been understandable, and hindsight is 20:20 (I left Google because I couldn't figure out how they'd ever make any money), but these are nonetheless big mistakes.