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Certainly true. However, the digital world is a changing landscape. Consider how technology replaces humans in the workplace and displaces jobs. No matter what
by wangchow 10y ago
Certainly true.
However, the digital world is a changing landscape. Consider how technology replaces humans in the workplace and displaces jobs. No matter what, change causes collateral damage and the reality is this time it's hitting the bottom-line of the wealthy studios. If they can't afford to come up with a brilliant technical solution to the problem then they are SOL. :)
- dhimes 10y agoAnd so are a lot of others I suppose.
- tooFastFuckYou 10y agoLame justification. Grow up. I torrent stuff all the time, but I would never stoop to this ridiculous attempt to rationalize it. For a better one, try condemning the continued use of DRM to prevent users from deploying content THEY PAID FOR, on the device of their choice.
- Noos 10y agoThe wealthy studios are least hit, to be blunt. Generally the more wealthy the content creator, the better they adapt. James Patterson doesn't suffer from piracy as much as the B or C list author who can't get signed or make back his advance. Blizzard doesn't suffer, it's the small indie PC dev. I think the ebook market is a good example. The big companies can absorb ebook piracy just by raising prices and relying on print sales and a large stable of works to deal with weak sales of easily pirated things. But the small presses and indie authors are starting to dry up because piracy tends to hit them much harder as they have less print options (indie authors never get traditional shelf space) no stable of books to offset risk, and a much smaller window when their book is viable. There's a good argument that creative destruction favors the rich more than the poor, I think.
- wangchow 10y agoHmm. Well put--it certainly trickles down. However, that has always been the case even with piracy aside: when have publishers not squeezed the profits from the artists of the world? Or what about Walmart running small companies out? Spotify paying peanuts to musicians? That's certainly been a trend of capitalism for a long time. The companies that have means to invest lots of legal and technical resources in developing DMC and help track down those torrent hubs have a lot of money. They are trying to shut them down to protect their bottom-line, not the content producers. It's a business after all.