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I remember having to read Proust's In Search of Lost Time in school when I was something like 16-17 years old. I remember the book as excruciatingly boring. It'
by zvrba 10y ago
I remember having to read Proust's In Search of Lost Time in school when I was something like 16-17 years old. I remember the book as excruciatingly boring. It's a small book and I used whole two weeks to read it because of that and went away from it with no takeaway whatsoever.
I blame it on the school program. Perhaps we were too young to appreciate it at that age, perhaps the approach was upside-down: we first had to read a book w/o any guidance, and then we'd discuss it.
- lokedhs 10y agoIt's not only boring, but also incredibly poorly written. Disregarding from the fact that he's using far too many words to say very little (which is arguably a matter of taste), having a single sentence strech multiple pages is just poor writing. I do disagree with you that the book is short though. According to Wikipedia it's 4215 pages, which I believe is correct.
- mazelife 10y agoWell, you're welcome to your opinion, but the statement "Proust (sometimes) writes long sentences" is a fact, not a value judgement. Whether the prose can be understood or not is how we separate good writing from bad, and in Proust's case it's not hard to follow what he's saying. There are, by the way, a large number of people who would strenuously disagree with you and consider Proust one of the greatest writers of the 20th century. Among them are people like Edmund White, John Updike, André Aciman, and Vladimir Nabokov, formidable prose stylists themselves; in fact, here's Nabokov explaining precisely why it is that Proust is so unique, using an illustrative passage to come to an understanding of how Proust's prose works as it does: http://www.catskill-merino.com/blog/nabokov-on-proust-in-bloom http://www.catskill-merino.com/blog/nabokov-on-proust-in-blo... ...Nabokov being a good example of a person who never shied away from making sweeping value judgements about authors, but was usually willing to back up what he said with examples.
- lokedhs 10y agoIt is indeed my opinion, but when reading your response I felt it was an appeal to authority, which is a fallacy, and as such difficult to constructively argue. I would much rather hear what your personal opinion is on Proust. I read your linked article by Nabokov, and suffice it to say that I don't agree. And, yes, I do recall the very passages quoted in the article since I have read it before. A good writer would have been capable of conveying the same message with the same emotion, but with sentences that does not require the reader to concentrate to the point of it being work to actually read the thing. When reading it, I used to feel a sense of accomplishment after every few pages. That's a pretty good feeling, and if it was hard to really understand what the author wanted to say, it must be better than that simple writing by lesser authors such as Tolstoy, right? (yes, the last part was irony) Well, arguing about literature never really leads anywhere. I'd rather argue about why Emacs is better than every other editor than talk about authors that I don't even enjoy reading.
- mazelife 10y agoNot all arguments from expert opinion are fallacious. In this case I think that those authors are recognized, themselves, as excellent prose stylists. Therefore it's reasonable to accord their opinions more weight than the average person's. If I'd said something along the lines of "Dan Brown says Proust is a master prose stylist and he's a writer..." then you'd have a point. Also, they are pretty representative of the critical consensus on Proust's particular strengths. Finally, they all happen to have written on Proust and what they like about him, some of them quite extensively. (Sadly, not all of it is available online. John Updike penned a very nice piece years ago on the ways Proust shaped him as a writer and the difference he found reading him first in the Moncrieff translation and then later in French; doesn't seem to be available anywhere.) >> Well, arguing about literature never really leads anywhere. A problem with the inherent subjectivity of art in general, I suppose. But nonetheless, it can be an enjoyable past-time if kept civil and respectful. Anyway, I appreciate you explaining what it is that you don't like about Proust, even if we don't see eye-to-eye.
- lokedhs 10y ago
- zvrba 10y agoOh, we have to read only the first part; it was ~250 A5 pages.
- zokier 10y agoHaving sentences that go on and on would be poor writing if it were done unintentionally or for the lack of skill. But in case of Proust the text is very deliberately composed in a particular way as a stylistic device.
- lokedhs 10y agoJust because it's done intentionally doesn't make it better in any way. Sure, you can look at it as some kind of art piece, but I would not call it good writing.
- tome 10y agoThird longest ever novel, according to https://en.wikipedia.org/wiki/List_of_longest_novels https://en.wikipedia.org/wiki/List_of_longest_novels
- rwallace 10y agoWhile I haven't personally read the work in question, I remember enough about school book selections to observe that you should not rule out the possibility that the real source of the problem is that the book is genuinely boring.
- reacweb 10y agoSome of my french teachers (I am french) were fond of Proust and have read all his books many times. Some people hate him. Very few are "in between". Having long sentences is not bad style in french literature. Many authors use long sentences intentionally (I remember a sentence longer than 1 page in "la modification" from Michel Butor). This kind of critics is very similar to the "too many notes" of Mozart: http://www.toomanynotes.com/Amadeus.htm http://www.toomanynotes.com/Amadeus.htm
- cafard 10y agoA small book? In the edition on my shelves, the first and I think skinniest volume runs to 600 pages. Among modernist paperweights, I guess that is smaller than Ulysses, The Magic Mountain, or The Man Without Qualities. None of them, though, had another five volumes trailing behind. I can't imagine reading any of the volumes in two weeks, unless in conditions of solitary confinement. Nor can I imagine, as a teacher, asking 17-year-olds to read the book. [Edit: missed the part about only reading the first volume. Still, a couple of weeks is one hell of a pace.]