>Parsing both those layers — the behavior and the meta-behavior, the story told and the story of why it’s being told that way This is a fairly major way of par

>Parsing both those layers — the behavior and the meta-behavior, the story told and the story of why it’s being told that way This is a fairly major way of partitioning literary analysis. I've seen it called "Watsonian" vs "Doyleist" - you can either take a look at the narrative elements in the story, or at the circumstances facing the author.