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More male villains is on point. Heroes and villains are powerful. We typically see more female victims than male. Many of our tropes and stereotypes revolve aro
by interpol_p 10y ago
More male villains is on point. Heroes and villains are powerful. We typically see more female victims than male. Many of our tropes and stereotypes revolve around women as victims.
> to the narrowed defined male acceptable professions, to most of role models in other professions (all female)
Are you trying to start a competition of who can exclude each other the most?
> In addition to a million other invisible punishments for not following the cultural rules
Such rules are what hold us back. Encouraging diversity where you have the power to do so is a great way to break these rules and help people.
> I, like most of people with my gender went to a profession that was cultural accepted for that gender, and most people of the other gender went to cultural accepted professions for their gender.
It's a sad thing, isn't it? It would be great if we could change our industry for the better and perhaps become an example to others.
- belorn 10y agoYou are missing the point if you think it about competition. 80% of work professions are considered gendered, cultural exclusive to one gender. There is no privileged gender there, and you are only harming people by continuing that narrative. > More male villains is on point. Heroes and villains are powerful. We typically see more female victims than male. A study a few years ago looked at the probability that a character would get killed, and fathers in movies had a much higher chance to be killed that a mothers. It generally followed the lines of older male role model -> fathers -> daughters -> sons -> mothers as highest to lowest risk of being a victim of murder in movies. They did not look at henchmen, especially those located in movies for kids. But what I really find is sad, is that certain type of villains are so exclusively male that they never gets casted as female. One of those is the character that the audience is supposed to get a visceral hatred for. The character that do evil for evil sake, that torture his victim for no reason, and the audience is made to hate so much that any violence is not enough to satisfy the justified cry for blood. I have never seen a feminist advocate to have a female Vaas Montenegro, nor do I think we will see one any time soon.