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As much as I want to agree with you nostalgia wise on the "real circuits and valves" thing, pretty much every industry magazine interview I've read with the top
by 6stringmerc 11y ago
As much as I want to agree with you nostalgia wise on the "real circuits and valves" thing, pretty much every industry magazine interview I've read with the top teir of guitarists basically say that "real amps" are for in the studio and when going on the road just use the Kemper[1] and nobody will be able to tell the difference. Honestly I would buy one of those in a heartbeat if I had the income/need/ability to write it off as a business expense.
[1] A Kemper review from 2012 - http://www.musicradar.com/reviews/guitars/kemper-profiling-amp-538742 http://www.musicradar.com/reviews/guitars/kemper-profiling-a...
>This is the context in which the Kemper truly excels and it proves possible to create amp profiles that are good enough to fool three sets of very experienced ears during our testing process. At one stage, we even find ourselves unplugging the reference amplifier just to make sure that it's definitely the Kemper that we're hearing and there isn't some elaborate hoax taking place!
- ajtaylor 11y agoI'm not a musician and I've never heard of a Kemper before, but that's one amazing piece of kit!
- earlz 11y agoThere are too many nonlinearities in real circuits and valves to perfectly model with current technology(or programming methods), but you're absolutely spot on that 99% of people can't tell the difference, even musicians. It's only the person playing the instrument that tends to care
- rorykoehler 11y agoMuse use Kemper but they also mix it up by having 3 amps mic'd up backstage. I didn't mean to suggest that VST's don't have their place in the signal chain at all.