Gibson was already alluding to these in Neuromancer. > Now he slept in the cheapest coffins, the ones nearest the port, beneath the quartz-halogen floods that

Gibson was already alluding to these in Neuromancer. > Now he slept in the cheapest coffins, the ones nearest the port, beneath the quartz-halogen floods that lit the docks all night like vast stages; where you couldn’t see the lights of Tokyo for the glare of the television sky, not even the towering hologram logo of the Fuji Electric Company, and Tokyo Bay was a black expanse where gulls wheeled above drifting shoals of white styrofoam.