I've long enjoyed Szukalski's attempt to find a universal artistic language: Protong. As crack-pot as he is, I find it interesting that his theories still don'

I've long enjoyed Szukalski's attempt to find a universal artistic language: Protong. As crack-pot as he is, I find it interesting that his theories still don't get much traction, because they are certainly useful once learned by the casual art observer ..