Very pleased to see Roger Scruton is answering the same question a lecturer of mine once posed as a curveball essay question. I'm not convinced he answers it ve

Very pleased to see Roger Scruton is answering the same question a lecturer of mine once posed as a curveball essay question. I'm not convinced he answers it very well though, it sounds more like "Why musicians need 19th century philosophy," or perhaps, "Why musicians need to return to the past." To HN: what do you think Harman's object oriented ontology has to offer composers and performers of classical music? Or what about speculative realism? Or effective altruism?