3 ms·
In the bang-for-the-buck department, speakers made by Ontario companies like PSB, Paradigm and Axiom (some production may have been outsourced) usually do prett
by alricb 11y ago
In the bang-for-the-buck department, speakers made by Ontario companies like PSB, Paradigm and Axiom (some production may have been outsourced) usually do pretty well.
Speakers are the no. 1 source of distortion in sound reproduction, and so we haven't exhausted the technological solution space. However, at close range and (relatively) low volumes, you can do a pretty damn good speaker with just good construction techniques, proven designs, high quality components and some R&D. That's why you see a lot of companies concentrating on 2-3 way bookshelves and floorstanders with simple bass reflex subs.
Things get more interesting when you're trying to go really loud and cover a wide audience, or when you go all out.
Interesting speakers:
Danley Sound Labs [1] with their tapped horn subwoofer and their "synergy" horn speakers that have slot-loaded mid- and low- range speakers. They do insane stuff like the TH812, with 8 12-inch speakers, that weighs 584 lbs.
JTR speakers are best known for their "growler" [2], an 88-pound sub with huge output for its size.
Meyer Sound [3] speakers are very expensive, but they do some mad stuff like the X-10 with a servo-controller woofer.
Fulcrum Acoustic [4] uses DSP to correct problems with horn-loaded speakers.
[1]: http://www.danleysoundlabs.com/ http://www.danleysoundlabs.com/
[2]: http://jtrspeakers.com/portable/growler/ http://jtrspeakers.com/portable/growler/
[3]: http://www.meyersound.com/product/x-10/ http://www.meyersound.com/product/x-10/
[4]: http://www.fulcrum-acoustic.com/technologies/whitepapers.html http://www.fulcrum-acoustic.com/technologies/whitepapers.htm...
- jeffbr13 11y agoLarge soundsystems for clubs and festivals have an entire culture of their own[1], heavily associated with the dub and reggae music scenes. Many are hand-built and maintained by a core group of people who travel with them and operate them on location, bringing resident DJs and MCS, and competing in sound-clashes at dub festivals. On the speaker-technology side, Funktion One systems are easily recognised by their polygonal tweeter horns[2], meant to disperse high frequencies in a very specific cone, which makes it easier to avoid dead-spots and phase-interference in complicated environments while directing the sound. [1]: https://boilerroom.tv/systems-of-sound/ https://boilerroom.tv/systems-of-sound/ [2]: http://www.residentadvisor.net/feature.aspx?1836 http://www.residentadvisor.net/feature.aspx?1836