You make a good counterpoint, for barbershop. It's definitely a form designed to bring out the effect of these microintervalic adjustments. Of course, those cor

You make a good counterpoint, for barbershop. It's definitely a form designed to bring out the effect of these microintervalic adjustments. Of course, those cords are sung in just intonation, not well temperament :) I probably could have phrased my comment a little bit more delicately, but my point was in reaction to the article, not the overall concept of tunings and temperaments. What drives me nuts are these "you're doing it all wrong" types articles about something that really makes very little difference to most people. Especially this one, in which the author really didn't bother to provide any auditory demonstration of a purely auditory phenomenon.