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Netflix also rents our pedantic art house flicks so you never have to be troubled by what the rest of us mortals watch for escapism. I'm sure you can find some
by elblanco 17y ago
Netflix also rents our pedantic art house flicks so you never have to be troubled by what the rest of us mortals watch for escapism.
I'm sure you can find some overwrought deconstruction of modern human sexuality retold as 4 movements of the lives of people in positions of authority but no power, politicians of the modern era in a mock nuclear stand-down, a 30 minute continuous scene of a single flower, in water, as people pass by blurred in the bokeh of an extreme depth of field and the audio recorded so poorly you can't actually hear what anybody is saying, and a clinically shot orgy with a clown stepping in at minute 11 to juggle, seemingly unaware of his own environs -- driven by the effort to juggle so many balls.
In the end, the clown drops the balls and close to credits.
The credits of course will flow up and will be in a mix of Italian and French. Each scene of course representing impotence, sexual drive, narcissism as a sexual trait, and lust and the struggle to balance a polygamous relationship with three waitress and a gay hairdresser at the same time (as the director was experiencing while he shot this film). The credits of course flow up in Italian and French as a both symbols of ejaculation and of salad dressing.
Enjoy the search!
http://www.netflix.com/ http://www.netflix.com/
- cakesy 17y agoLook, there is no GOOD reason for this movie not to have a decent story. People like you admit to not caring about the plot, so surely you aren't going to care whether it is good or not. Some of use aren't children, so I don't go see children movies (except Pixar, but they can hardly be described as children movies). I don't see Avatar being positioned as a childrens movie. The cost of the movie alone proves that it is not meant to be so.
- ericd 17y ago8 1/2?
- elblanco 17y agoIs as vapid a retelling of "guy with too many girlfriends" as any other. It simply creates an easily escapable artificial conflict that's better told in the form of a summer teen comedy. Can't make a movie? Get less drama in your life. Situation movie solved. It wasn't improved any when they added another 1/2 to it.
- plinkplonk 17y ago"I like movies that have strong plots and not try to insult my intelligence" isn't the same as saying every movie has to be "high art", - or "overwrought deconstruction of modern human sexuality retold as 4 movements of the lives of people" in your words ;-) . What you've done is use the timeworn rhetorical device of taking someone's point of view and try to (rhetorically vs logically) invalidate it by positing an absurd opposite. I think Avatar sucks except for the visuals. Bad plot, bad dialogue bad acting. None of this implies preferring "pedantic art flicks" as an alternative (this is your cute rhetoric at work - the unwarranted exaggeration of my stance). Nice try though. ;-)
- elblanco 17y agoWell, the story is a combination of typical archetypes retold with pretty pictures. That much I cannot argue about. And I think that what you are really saying by "the plot sucked" is "it's too archetype driven". I'm basing this on: >I personally found the warmed over "Stupid White Man penetrates exotic closed society and rises to be leader of it, seducing the native woman" plot tiresome, repetitive and tedious Sure the characters ranged from a bit 2-d (the Col.) to well fleshed out (Neytiri (watch it again if you don't believe me)) and the acting ranged from "will probably win an award it was so good" Saldana to "thanks for showing up and picking up your paycheck" Weaver. But that's nothing different than you'll find in almost every movie -- the principles are fleshed out and the supporting cast is flat. Why can't we have more 'smart' movies like Erin Brockovich/Schindler's List/Fight Club/District 9/Oldboy/etc. (archetypes of David vs. Goliath, Greed and Bullies) or The Incredibly True Story of Two Teenagers In Love/Léon/American Beauty/Mississippi Masala/South Pacific/Moulin Rouge/West Side Story etc. (Forbidden Love) or Lawrence of Arabia/Dune/Hunt for Red October/etc. (Lovable Turncoat)... you ask? And I'd counter that all of those are as archetype driven as any other well known flick (archetype stories provided in parens). You see where I'm going with this. Even if you don't agree with all my movie choices as being "good" or "smart" you'll at least have to agree that most movies that are at least reasonably well known are pretty much based on a dissection or aggregation of common archetypes. How many times has Romeo and Juliet been retold almost verbatim? And by and large the audience enjoys these things and says "oh the plot was so good" when really, they are just a rehash of old story ideas. We even group movies into archetype driven categories "love story", "ghost story", "suspense", etc. So yes, I was being "cute" with my notional art-house flick. But if you want to find something not driven by archetypes, where the artists consciously try to avoid those things, you have to go there, or to France or Italy perhaps. Here, http://www.imdb.com/chart/top http://www.imdb.com/chart/top this is the top 250 movies on IMDB not by dollars but by rating. How many of these are "smart" movies meaning "not a rehash of archetypes"? Very few if any. It's pretty simple really, if you don't want your intelligence to be insulted (meaning you don't want an archetype driven story), you end up with a movie about a vapid cowgirl/model with giant thumbs or a movie director that can't focus on making movies because he's too busy with all his mistresses (which is actually just a retelling of the "guy with too many girlfriends archetype"). And given that non-archetype driven movies are typically poorly rated and attended by the open public, either you are particularly "smart" or those movies tend to suck.