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ProRes 4444 is lossy, but it's still more than enough for most projects. Drive was shot in ProRes 4444 and I deliver network television shows shot in 422HQ or 4
by ancientworldnow 11y ago
ProRes 4444 is lossy, but it's still more than enough for most projects. Drive was shot in ProRes 4444 and I deliver network television shows shot in 422HQ or 4444 all the time.
Raw is nice but definitely not strictly necessary.
- bitL 11y agoYes, though for someone as spoiled as me working on 5k/8k hyperlapses with D810/5Ds and getting absolutely gorgeous RAW footage where post-processing filters can do miracles, I vastly prefer shooting 4k RAW, which puts a lot of strain on technology, be it camera, storage and computer as well (nothing on the market is fast enough and no amount of storage is sufficient). The results when viewed on a UHD TV via 4:4:4 mode are phenomenal though. Of course, with 4:2:0 H.264/H.265 it doesn't make much difference and for scaling it down to FHD ProRes 4444 is sufficient anyway.