Why do you think that is the greatest problem? If a concern for audience numbers, what's the goal and why? In classical music, my experience is that there are m

Why do you think that is the greatest problem? If a concern for audience numbers, what's the goal and why? In classical music, my experience is that there are many more highly accomplished practioners than can ever be supported by audience demand but that's only a problem if there's an argument for a set goal for audience figures. There are of course thousands of pursuits which demand time for their appreciation.